Showing posts with label Industrial. Show all posts
Showing posts with label Industrial. Show all posts

Saturday, November 6, 2010

BlackHolePit - Portals

Darkwave/Industrial Doom from South America. Only one album was released before the project was abandoned in favor of other efforts (which are all industrial as well, but take a good amount of influence from extreme metal).
This is a heavily atmospheric release, in the right environment it can be either terrifying or soothing.

I highly recommend this, give it a listen.


Sunday, June 6, 2010

When - Death in the Blue Lake (1988)

When - Death in the Blue Lake(1988)
experimental/post industrial/psychedelic



When is a solo project of Norwegian musician Lars Penderson. He began the musical project under the curious name "Hospital Blimp" in 1983 before settling on the bands current enigmatic moniker in 1987.

Death in the Blue Lake is Penderson's sonic answer to André Bjerke's pschological thriller novel of the same title. Although I haven't read the novel (it appears to be difficult if not impossible to find in english) Penderson's work definitely caries a foreboding and schizophrenic atmosphere that wouldn't be out of place in a tale of murder and madness. The album being Norwegian and from the late 80's also has the significance of enjoying quite a bit of popularity among the country's second wave black metalers. Perhaps the album inspired Varg to flirt with dark ambient? That's just conjecture on my part though. What I do know is that Satyricon sampled the title track of Death in the Blue Lake to use as the intro on their debut full length Dark Medieval times.

So forget all of that, what does the album sound like? Well the album ultimately carries many pop sensibilities. They are however obscured by the dark atmosphere and dissonance that create a patina of decay above everything else. The album begins with a grueling journey through a 20+ minute sound scape. All hope seems to be lost, but when the next track begins the album reveals it's true colors as catchy hooks and melodies begin to surface. The album works best as a cohesive whole so I recommend listening to it all the way through. Otherwise you will miss the contrasting elements.



peace

Tuesday, March 16, 2010

Cold Cave- Love Comes Close (2009)



Cold Cave- Love Comes Close
2009
Synth-pop/Industrial/Darkwave

Where do I start with Cold Cave? I could start by introducing them as a synthy pop band with catchy hooks, industrial soundscapes, almost new-wavey-Tears-for-Fears-esque at times. I could mention they feature members of American Nightmare/Give Up the Ghost, Ash Pool/Prurient and Xiu Xiu! The former hardcore frontman, Wesley Eisold, teams up with noisy motherfucker Dom Fernow and a few others to make tracks of toe tapping synth catchiness. Heavy beats, distorted keys switching off between Ian Curtis-y male vocals and somber female vox.
You can't really say that Cold Cave is completely original, but then again the sound kinda fizzled out in the early 80s. They apparently rejuvenated the interest in synthpop among the hipsters.
I suck at writing reviews, just download


http://www.mediafire.com/?xmnmdqulmzw

Thursday, January 28, 2010

SPK - Leichenschrei (1982)


Seminal Industrial band from the UK. If you're like me and have never delved much into the genre but want to, this is as good a place to start as any. Definitely not casual listening, but not the harshest music I've heard; it's more centered on being subversive than pummeling, so sit back, turn down the lights and get ready to be carried away into a world of madness and death.

Mediafire

Thursday, October 22, 2009

Current 93 - Lucifer Over London (1994)


I was introduced to this band via Rotting Christ's cover of this EP's title track, so I figured this may be an ideal starting point for anyone who hasn't heard them before. Haunting guitars, chanting, asymetrical vocal patterns, and a mighty nod in the direction of the drone, ambient and industrial genera which David Tibet takes as much influence from as he does from European folk songs and poetry. Also, I pity anyone who fails to recognise the 'subtle' riff at the beginning of the record.

Mediafire