Wednesday, December 23, 2009
Genre - Stoner Rock, Hard Rock, Acid Rock
Review - As you might have guessed by now, this band from Brazil is a Blue Cheer worship band. Now how can that be anything but awesome? Its another one of those gems I stumbled upon while browsing sludge swamp website. Apparently, the band members send their music to the site's admins to be posted on the blogs.
This album contains the compilation of songs from their EPs and few live acts.
"You’ll find heaps of fuzzy, super dense, distorted riffs building up a wall of sound which tastes of trippy desert-space rock and fat, dirty, groovy, doomy tunes that remind me so much of Church of Misery. As a bonus feature, this album possesses the vibe of the live performances but rendered with the high quality of a studio production. Beautiful indeed …"
Tuesday, December 22, 2009
Just a demo today, folks, but this is some prime shit. Adversarial are a band I hadn't even heard of until a friend of mine on RYM recommended their first, and only demo, "Thralls." This hit me like a sack of bricks, as it deftly combines practically every awesome element of modern and old school death metal into a three track block of excellency. Tempos shift from groovy midpaced riffs into frantic (but controlled) blasts of semi-melodic frenzy, and then into a fierce whirlwind of dissonance reminiscant of The Chasm or Immolation, two of the most prominant influences here, yet others shine through (evidenced in an homage to Suffocation's "Torn Into Enthrallment" on the second track.). Even the production shines, being incredibly above average for a demo. About the only flaw I see here is that there isn't more from this band, so drink up what you can now.
Monday, December 21, 2009
Genre : Noise Rock \ Post Hardcore \ Heavy Metal \ Hardcore Punk \ Sludge Metal
Year : 1997
Do you like the Melvins ? Do you worship Black Sabbath ? The in your face attitude of punk ? Follower of High On Fire ? And yet love your metal to be fun and enjoyable ? Them come, grab a chair, sit down and let's have a little chat.
This band, Karp (short for Kill All Redneck Pricks) is one of those indie, never heard of bands that is in fact a sonic sludge assault of sonic brutality , whose only aim was being serious of not being serious. They are nerds, geeks and wear it on their sleeve proudly (the album prior to this was called 'Suplex'). Above all they want to have fun (the lyrics of the 3rd track are AHHHHHHH I'M FUCKING WITH YA HEAD, I'M FUCKING WITH YA HEAD, I'M FUCKING WITH YA HEAD"), and it it is this characteristic of their music that makes them infectious. With the name of the album being "Self Titled LP", the band merged and innovated all of their eclectic influences and spawned this really enjoyable release, which in the core of the all the fun and frolic and nerdiness is actually a really good slab of well constructed metal. It ironic enough to be hip, dedicated enough to be brilliant.
The old Melvins' formula [if a riff is good enough to repeat once, it's good enough to repeat one hundred times] is adhered to, albeit in a punkish form, which in KARP's hands works pure wonders. With the record's economical thirty minute length, everything is condensed, tight and vividly succinct, and all the better for it. Eight sandpaper-raw, bulldozer-heavy and raucous tracks smash, bash, crash and burn through your right ear, and exite through your other one, but it is the impact on the pink squishy mush between those ears that is worth mentioning, leaving a permanent mark. Each piece is centered around one main riff or a riff sequence, which is then tinkered and played around with throughout the track's duration. And boy, do these fellas know their way around their riffs! They turn and twist, change tempos, build up tension, squeezing just about all they can from these chords in the time allotted, while descending into the gluey, sludgy pits of hell and then rising above to gallop through a vast, wide-open faraway.
What a friggin' ride! Get on it!
Wednesday, December 16, 2009
Genre - Blues Rock, Hard Rock
This is fuckin' KILLER!
I discovered this band while browsing on Sludge Swamp blog (easily my favourite blog for music). Since I am in no mood to write the review myself, I am shamelessly copying the review for this from that site itself.
"El Diablo”, the sixth & best studio disc by Interstate Blues, features 8 trax of killer, bad-ass, straight-ahead, in-your-face, solid bluesy hard rock power trio riffage with powerful rippin’ lead guitar that will rock your world. This is a true bona-fide heavy guitar monster.
California-bred axeripper Jamie Purpora kicks ass on the guitar and leads his power trio through 8 trax of killer heavy guitar riffage. The powerhouse rhythm section of Roger Brown & Jeremy Crowther nails down serious hard-assed heavy power trio grooves for J.P. to “rip it hard” on his guitar. This is definitely their best & heaviest disc to date.
This disc is HIGHLY recommended to fans of killer bluesy heavy guitar power trio riffage complete with bad-ass, heavy-duty, hi-powered rippin’ leads that are worthy of guitar hero status."
We arent friends anymore if you dont like it!
Sunday, December 13, 2009
Here you go motherfuckers, the best goddamn shit you’ll ever hear. I know I’ve introduced a few select members of this group to Midnight, but here’s an open invitation to the rest of you. Unholiness from Cleveland. Simple fucking riffs. Songs about sluts, graves, and other badass shit. One could call this blackened speed metal with some thrashing on the side. What other band has gotten shut down because the singer had his guitar on fire while playing?
Endless sluts and hot graves
ALL HAIL HELL
post courtesy of Drew Wenston-Ball.
if drone doom Boris had a lovechild with John Zorn and the offspring was as fucking horrifying of a monster as you could imagine (in a very, very wonderful way). Super mega essential
its in FLAC because it deserves to be
Genre - Krautrock, Heavy Psych, Progressive Rock.
Review - According to ProgArchives.com "Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment)."
Nevermind the pretentious band name, Twenty Sixty Six and Then play a unique brand of krautrock (but then, Isnt Krautrock all about experimenting with your usual Psychedelic rock sound which was so famous back in the days). THis album will go down the throats of most of you guys here. I know there a lot of hard rock, psychedelic rock (?? Space rock too) loving crowd in this group (I am looking at you feather, ethan, Rectal, Poseidonx, Funeralmass). But this will also find favours with guys who like bands that like to experiment with their music.(I know a lot of you guys hate the experimental tag here). I remember someone posting a Randy Holden album here and it was well received by the truly grim crowd. Well this band is like a few steps of ahead of what Randy Holden did on Population II. The guitar tone is thick and heavy with too many melodic overtones to handle. While you are being bombarded with bluesy Jimmy Hendrixesque riffs, you also find slowly ascending spacey passages ala Nektar (Hey Hawkwind have become a household name in this group yoy know! but seriously this reminds me more of Nektar than Hawkwind). The vocals are husky and raw which will force you think of Garage rock movement of the 60s and is one of the reasons why I like this album so much. So if you love to dig the vocals of Blue Cheer and the legendary "The Electric Prunes", there is no reason why you wont love it. The drumming is immaculate and the fills and rolls along with long guitar leads impart a progressive touch to the music ala King Crimson. The bass is pretty much audible and particularly great on the title track.
The production is kinda poor, but I like it somehow because its the production that imparts an even thicker sound to the guitar tones and makes it sound closer to the garage rock/hard rock than your usual German Krautrockers. Oh and why the heck I was forgetting about incredible flute playing on the albums.
Krautrock was one of the most abused genre in the 70s, Infact the krautrock albums that came in the mid 70s made a mess of the legacy left by the early bands. But this is one of the early gems from a band that had a rather shortlived career.
I absolutely love the song BUTTERKING here, cheesy lyrics with incredible vocals (there are times when all you can hear is the vocals and the vocal tones are matched incredibly by the geeeetars!). I would say that go for this album just for that fuckin' song.
PS - The Link contains 8 tracks, The actual album has 5 tracks only (the first five ones) the rest are BONUS!
Your choice baby!