I don't really know how to classify this album. Drone, shoegaze, noise rock, post rock, space rock, psychedelic rock, or is it some kind of Frankenstein monster made up of all of them? Fuzzy droning guitars build up layers of solid sound and then the band weaves melodies through the wailing wall of sound, whether they are some sort of cosmic blues, meditative chant, or some other remnant of whatever musical influences built this album.
The main portion of the album explores all of the possibilities contained within that collection of influences. The album ends on the collosal "Amen," and while I love the kind of sloppy noisy blues rock that makes up the rest of the album, Amen feels relaxing. It relieves the tension of the album. It is almost a peaceful song, despite the droning guitar. The bells and the female vocalist have a sort of beauty that is lacking in the rest of the album and is a fitting way to end it.
I figured this was the least likely album of my possible choices to have overlap with the group, so hopefully I will be giving some people a new listening experience. DemonCashew is pretty positive about it, so hopefully thats a good sign for the rest of your preferences. (Though he likes Lady Gaga and Animal Collective so I'm not sure if we can trust him.) He says I should mention the vocals, which I guess are kind of weird when they are actually trying to say something. I don't know what that guy is going on about.
the place of sending
post courtesy of Florpy.
No comments:
Post a Comment